Uk/Poland Season at Different Sounds 2025
This summer, during the 18th edition of East of Culture – Different Sounds (and the 12th as part of the East of Culture project), Lublin will once again become a meeting place for bold, genre-defying music.
The 2025 edition brings an exciting collaboration with Cryptic Glasgow and Scotland’s Sonica Festival, made possible through UK/Poland Season 2025. As part of this special international exchange, audiences in Lublin will experience outdoor sound installations, an audiovisual concert exploring space travel and 18th-century poetry, and a joint Polish-Scottish musical project rooted in traditional vocal practices.
About
UK/Poland Season 2025
This season marks a new chapter in cultural relations between Poland and the UK—an opportunity to renew dialogue, deepen partnerships, and strengthen artistic and social bonds. It presents audiences on both sides of the Channel with a unique chance to discover some of the most exciting creative voices in film, theatre, visual arts, design, and music.
In Poland, the Season is organised and funded by the British Council, while the UK programme is coordinated by the Adam Mickiewicz Institute, the Polish Cultural Institute, and the British Council, with support from Poland’s Ministry of Culture and National Heritage and Ministry of Foreign Affairs.
At the heart of the Season lies the theme of migration, honouring both the long-standing Polish community in the UK and Poland’s present-day role as a safe haven for people from Ukraine and Belarus. Artists from these countries who now live and create in Poland have become an integral part of the local cultural scene—embodying the openness and diversity that both the Season and the Different Sounds Festival strive to celebrate.
Uk/ Poland Season 2025 – Featured Projects in Lublin:
Ela Orleans – a Polish composer and audiovisual artist living between Glasgow and Paris – is a creative force whose work spans an impressive spectrum. Her artistic and professional pursuits range from audiovisual projects and contemporary multimedia to composing for film, television, and opera. She also participates in contemporary art exhibitions, engages in academic work, and performs live concerts on a regular basis. Her performances have graced world-renowned venues such as New York’s MoMA, London’s Tate Modern, the Venice Biennale, and the Sonica Festival in Glasgow. In Lublin, Orleans will present one of her signature works to the Inne Brzmienia audience: the acclaimed Night Voyager. This atmospheric project weaves together the haunting sounds of synthesizers, theremin, violin, and voice, layered with archival NASA recordings from the 1969 Apollo moon mission. In this piece, Orleans connects the raw emotion of the astronauts’ journey with excerpts from Night Thoughts, a profound collection of philosophical poetry written by Edward Young in 1742. She explores the deeper meaning of lunar travel, pairing it with Young’s meditations on mortality, the passage of time, and the folly of humankind.
Although largely forgotten today, Night Thoughts was once hailed as “the most sublime and richest poetry ever produced by human genius.” Through her fusion of sound, space, and poetry, Orleans revives its resonance for a new era.
Dopey Monkey and guests – a bold and boundary-pushing duo of Scottish composers and musicians, Martina Lee Thomson (euphonium) and Danielle Price (tuba), are known for blending musical worlds with flair. Their sound floats between funky grooves, jazz, experimental textures, folk influences, and classical foundations – all while boldly redefining what their brass instruments can do.
Since forming in 2015, the pair has tirelessly explored not only their own creative limits but alsthe possibilities of interdisciplinary collaboration, mixing various media and performance styles. Their live shows are anything but conventional – they’re curious, dynamic, and always full of surprises.
For the East of Culture – Different Sounds festival and the UK/Poland 2025 artistic season, Dopey Monkey has teamed up with Lublin-based artists from the collective Zielona Girlanda and multi-instrumentalist Tomasz Graczyk to create something truly unique.
Born out of collaborative workshops in 2024, their new project fuses genres in a captivating performance inspired by folk traditions, nature, and the art of storytelling. Alongside the rich tones of tuba and euphonium, audiences will hear soprano and tenor saxophones, layered vocals, and soundscapes that feel both earthy and otherworldly.
During the festival, this Polish-Scottish crew will pop up across Lublin in unexpected places. But don’t expect your typical street performance – instead, they’ll travel with a mobile “concert space”, inspired by places of pause and reflection like bothies (basic, freely accessible shelters found in remote parts of Scotland, northern England, Ulster, and Wales) and chapels.
Spectators are invited to step inside, slow down, and immerse themselves in rich sonic landscapes in an intimate, soul-soothing setting.
Sing the Gloaming –
a captivating visual-sound installation created by Professor Simon Kirby in collaboration with artists and musicians Tommy Perman and Rob St. John. At the heart of this mesmerizing project lies the ancient word “ghlei”—a 5,000-year-old term meaning light. From it, words like the poetic “gloaming” (dusk or twilight) have emerged, setting the tone for a deeply atmospheric experience.
The installation features a series of sound sculptures nestled in open, green spaces, where nature and art intertwine. Voices from some of Scotland’s most compelling vocalists—Aidan Moffat, Emily Scott, SHHE, Hanna Tuulikki, and Andrew Wasylyk—drift through the air, weaving through the landscape with ambient tones and ethereal melodies. The result? A sensory journey where sound meets light, language, and the natural world. Sing the Gloaming invites you to explore these sonic landscapes at your own pace—wandering, listening, and discovering.
As part of the festival, visitors will not only experience the installation but also have the chance to attend a special presentation by Rob St. John, offering insights into the creative process behind this unique and immersive project.
Who else is set to take the stage at Different Sounds?
Last month, the organisers of Different Sounds unveiled the first wave of artists set to perform at this year’s edition of the festival. Here’s a taste of what’s to come:
- Voivod – The legendary Canadian metal band that’s been going strong since 1982. With deep roots in thrash metal history, they made a game-changing pivot towards progressive metal, earning their place as one of the genre’s most influential acts.
- The EX – Hailing from the Netherlands, this iconic group has long been a beacon of European counterculture. One of the most important punk collectives in the history of alternative music
- A Place to Bury Strangers – A powerhouse trio from the U.S. known for their intense blend of noise rock, shoegaze, post-punk, and free improvisation. Expect a wall of sound and raw energy.
- The Messthetics & James Brandon Lewis –an instrumental trio formed by members of the legendary Fugazi, now teaming up with the phenomenal saxophonist and composer James Brandon Lewis for a bold, genre-bending collaboration
- PETBRICK – A high-octane duo featuring Wayne Adams (head of London’s Bear Bites Horse Recording Studio) and Iggor Cavalera, the iconic drummer best known from Sepultura and Cavalera Conspiracy. Prepare for a sonic explosion.
- Maria W. Horn –A Swedish composer and sound artist whose haunting, exploratory work places sound at the heart of her creative journey.
- Butch Kassidy – A post-rock outfit from London, rapidly rising as one of Europe’s most exciting names in heavy guitar-driven music.
This year marks the 18th edition of Lublin’s Inne Brzmienia festival, organised by Workshops of Culture, and the 12th edition held as part of Wschód Kultury—a unique cultural project led by the National Centre for Culture, funded by the Polish Ministry of Culture and National Heritage, and brought to life across three cities in eastern Poland: Lublin, Białystok, and Rzeszów.
Admission to the festival remains free, with more announcements coming soon!
More information: https://nck.pl/projekty-kulturalne/projekty/wschod-kultury
East of Culture – Different Sounds
3–6 July 2025
Lublin, Błonia near the Castle
Admission free.
Organisers: The Ministry of Culture and National Heritage, The National Centre for Culture, the City of Lublin, Workshops of Culture in Lublin.
East of Culture – Different Sounds Festival is actively championing gender equality in the music industry as part of the Keychange network.